We wonder if this signals a return for the National Art Gallery of The Bahamas (NAGB) to again act as a public institution by revisiting their core mission to “educate, uplift and inspire”, rather than to “push cultural boundries” by displaying only the agenda driven fodder curated by the divisive, radical feminist, LGBTQ+ coven, who nearly destroyed the institution.
Thanks to Deime Ubani and the Salus Project for, hopefully, getting our national institution back on track.