For artist Marcia Resnick, a photograph is not a static thing—it’s an exchange, a performance, a selectively rendered reality. Her pictures tell a tightly choreographed story, revealing a worldview centered on exposing and poking fun at life’s absurdities. “The art I make is a reflection of what I want to see,” Resnick said in a recent interview.
Last month, the Bowdoin College Museum of Art in Brunswick, Maine, opened a traveling survey of images made by Resnick, now 71, decades ago. Running until June before it heads to the Minneapolis Institute of Art and the George Eastman Museum in Rochester, New York, “Marcia Resnick: As It Is or Could Be” marks the first-ever institutional survey of the renegade artist.
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